Celebrate the New Year with KET
Tuesday, Dec. 29, 2009
KET rings in the New Year with the New York Philharmonic, followed by a lavish holiday celebration from Vienna.
First, The New York Philharmonic’s New Year’s Eve gala celebrates all-American favorites with music from Gershwin, Copland, and Broadway. This glamorous evening features Gershwin’s beloved “An American in Paris,” Copland’s “Appalachian Spring Suite” and “Old American Songs,” and selections from Broadway musicals.
Live from Lincoln Center “New York Philharmonic New Year’s Eve: Hampson, Gershwin, Copland & Broadway,” hosted by Alec Baldwin, airs Thursday, Dec. 31 at 9/8 p.m. CT on KET.
Then, stage, screen, and recording legend Julie Andrews welcomes the New Year as she hosts Great Performances “From Vienna: The New Year’s Celebration 2010,” airing Friday, Jan. 1 at 9/8 p.m. CT on KET. Joining her for the annual Vienna Philharmonic holiday extravaganza is celebrated conductor Georges Prêtre, who will lead the orchestra in a sparkling program of Strauss Family waltzes, marches, and polkas. Also, dance sequences are performed live on location at Vienna’s magnificent art history museum by members of the Vienna State Opera and Volksopera ballet.

Earth teems with a staggering variety of animals, including 9,000 kinds of birds, 28,000 types of fish, and more than 350,000 species of beetles. What explains this explosion of living creatures — 1.4 million different species discovered so far, with perhaps another 50 million to go? Charles Darwin’s revolutionary idea of natural selection, which helps explain the gradual development of life on Earth, raises as many questions as it answers.
The author of Little Women is an almost universally recognized name. Her reputation as a morally upstanding New England spinster, reflecting the conventional propriety of mid-19th-century Concord, is firmly established. However, raised among reformers, Transcendentalists, and skeptics, the intellectual protégé of Emerson, Hawthorne, and Thoreau, Alcott was actually a free thinker with democratic ideals and progressive values about women — a worldly careerist of sorts. Most surprising is that she led, under the pseudonym A.M. Barnard, a literary double life, undiscovered until the 1940s. As Barnard, Alcott penned scandalous, sensational works with characters running the gamut from murderers and revolutionaries to cross-dressers and opium addicts — a far cry from her familiar fatherly mentors, courageous mothers, and appropriately impish children.

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